• Ballou, G.M. [ed.] (1991): Handbook for sound engineers. Sams.
  • Blauert, J. (1999): Spatial hearing. The MIT Press.
  • De La Motte-Haber, H. (1985): Handbuch der Musikpsychologie. Laaber.
  • Everest, F.A. (1994): The master handbook of acoustics. TAB Books.
  • French, A.P. (1980): Vibraciones y ondas. Curso de física del Instituto de Tecnología de Massachusets (MIT). Reverté.
  • Hartmann, W.M. (1997): Signals, sound, and sensation. Springer.
  • Helmholtz, H. (1954): On the sensations of tone (as a physiological basis for the theory of music). Dover.
  • Kinsler, L., Coppens, A., Frey, A. y Sanders, J. (1991): Fundamentos de acústica. Limusa.
  • Leipp, E. (1984): Acoustique et musique. Masson.
  • Leipp, E. (1977): La machine a écouter. Essai de psycho-acoustique. Masson.
  • Moore, B.C.J. (1997): An introduction to the psychology of hearing. Academic Press
  • Olson, H.F. (1952): Musical engineering. McGraw-Hill.
  • Pickles, J.O. (1988): A introduction to the physiology of hearing. Academic Press.
  • Pierce, J., Bergeijk, W.A. y David, E.D. (1963): Las ondas y el oído, EUDEBA.
  • Rayleigh, J.W.S. (1945): The theory of sound. Dover.
  • Seashore, C.E. (1938): Psychology of music. Dover
  • Tribaldos, C. (1992): Sonido profesional. Estudios de registro profesional. Paraninfo.
  • Winckel, F. (1967): Music, sound, and sensation. Dove

Última modificación: domingo, 11 de mayo de 2014, 00:59